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I give an
unqualified one thumb up to Michael Jackson's box office
smash,
This Is It.
The film is a
collection of rehearsals taped in preparation for
Jackson's comeback tour of 50 sold-out live London
performances that
never took place.
Readers may be
conflicted, as I originally was, about whether to see
the tribute to the
controversial and troubled
Jackson.
Jackson's fans
couldn't care less about anything except his music.
Non-fans
won buy a ticket no matter what.
If you miss
it, that's too bad because This Is It is a great show.
Anyone hoping
for insights into Jackson's
personal demons
will be disappointed.
But if viewers
stay focused
on Jackson's talent, then they will come away with a
renewed appreciation for his musical gifts. You will be
surprised at how healthy Jackson looks which explains
why so many close to him were shocked at his death.
I'm of the age
where I remember the
Jackson 5
as smash hits on the original Detroit Motown label that
was often referred to as Hitsville, U.S.A.
Within a few
months after the Jackson 5's 1964 discovery,
Diana Ross and Berry Gordy
took the group under their wing, moved it to Beverly
Hills and launched a new era in pop music.
In
1985, Jackson left the group to begin his solo career.
His brothers eventually disbanded as each of them went
on their own.
For more than
twenty years,
Jackson
was the biggest thing in pop. While selling billions of
records worldwide, Jackson won 13 Grammy Awards and had
17 number one singles.
As you watch
the movie, you won't have any trouble understanding why.
Within the film's two hour framework, there are 15 full
song performances in all including great versions of
"Smooth Criminal,"
"Man
in the Mirror,"
"Beat
It," "Billie
Jean," and
"I'll
Be There."
The highlight of all Jackson's well known song book is
Thriller,
produced in the movie with 3-D effects added.
In between
Jackson's songs, we watch short interviews with
Michael's retinue of dancers, his band members and
back-up singers, all of whom wax poetic about how
professionally satisfying it is to work with the King of
Pop and how lucky they consider themselves.
Although you
would expect them to be laudatory, they seem to
sincerely respect and love Jackson. One reason is that
Jackson allows his support player to have their moments.
On
a duet with ingénue
Judith Hill,
Jackson challenges her to sing with more soul. And he
urges Australian guitarist
Orianthi Panagaris
to take advantage of her solo moments on stage that he
believes will be her springboard to a long, successful
career.
Toward the end of the movie and just before a powerful
rendition of The
Man in the Mirror, Jackson in one of his many
personal demonstrations of affection thanks his family
by name:
"Jackie,
Jermaine, Marlon, Tito, Randy ...."
Then,
remembering his mother, Jackson adds,
"I should also say Katherine.
I love you."
After the movie's debut, long time Jackson friend and
Hollywood legend
Elizabeth Taylor said:
"It is the
single most brilliant piece of filmmaking I have ever
seen. It cements forever Michael's genius in every
aspect of creativity. I truly believe this film should
be nominated in every category conceivable."
Taylor's
review may be slightly over the top—but not much.
I realize that
many readers are understandably skeptical, possibly even
revolted, at the idea of watching Jackson for two hours.
I know that I was.
Nevertheless,
I recommend that you put those sentiments aside and go.
If it helps
you justify buying a ticket, consider This Is It as a
documentary that explores the career of the most
influential musical performer of this or possibly any
other era.
Joe Guzzardi [email him] is a California native who recently fled the state because of over-immigration, over-population and a rapidly deteriorating quality of life. He has moved to Pittsburgh, PA where the air is clean and the growth rate stable. A long-time instructor in English at the Lodi Adult School, Guzzardi has been writing a weekly column since 1988. It currently appears in the Lodi News-Sentinel.